As we have seen on previus post Corporate identity is the
engine that provides the initiative to the actor/States for their actions, but these
are conditioned by the social relations of the actor, therefore the
corporate identity depends on the relations of the subject with others (Wendt
1994; 356). Here is where we introduce
the concept of social identity where the actor attributes meaning to itself and
by doing this it takes perspective of the others actors, it is impossible to
think an actor as a person who is completely alone in the world, likes it or
not it must interact with others, to a greater or lesser extent this depends on
each State. The two identities have a strong interrelation and feedback in to
each other, to strengthen over time. But there is something one must keep in
mind, that an actor has one corporate identity, but may have multiple social
identities, but it is always limited and determined by the historical and
cultural background of the actor. When one assumes an identity the actor also gives
identity to others and in this context the vision of the State is born. Social
identity can be simplified in these
terms, it the way the actor sees itself, how he sees others and how it’s seen.
The vision of the actor in the world is born of this social identity. In the
case of migratory policy we’ll see how the definition of a social identity
condition de decisions of an actor, in this case Argentina.
Identity determines interest and therefore a change
in any aspect of the Sates identity, will drag in a new group of interests. We
are using the example of Argentina Migratory Policy in my post, to explain this
point. Initially you can see that the previous
Immigration law caused dissociation between the actions [6] of the actor, social reality in its borders and its
identity. Argentina’s view on migrants had a serious distortion of what was
happening on a domestic level and on a international level, the old law that
established its migratory policy did not serve the countries best interests, you
can si a similar situation in the US that has a high dissociation between its
migration policy, social reality and their national identity, which has sparked
a strong debate on what the government should do, this point will be developed
in detail later in other posts. What we can say preliminarily is that currently
that the Argentine identity revolves around the fact that sees itself and is
seen by other States ( especially in the region), as a democratic country that
respects human rights and that it had a historic role of reception of migrants.
Within the process of
identity formation Wendt says that the actor uses imitation and social learning
(Kowert; 2001), this is a borrowed concept from other constructivist author
from another area of investigation, that is Jean Peaget, an expert in the
psychology of education. We must establish whether Argentina immigration policy
is the result of imitation or is a product of social learning. The actor learns
to change their knowledge and perceptions of the world, and this is a dynamic
process that is maturing over time, the perceived world is not a static place
but is always changing.
Also can be exposed
ahead of time that there is no doubt that the Argentina learned from their past
mistakes committed during law 22.439 and capitalizes on that to create an
immigration policy that is much more efficient, functional and that fits the
needs of the country. One must ask what could have changed in the Government/State
or within the population or what modification on the basis of their social
relations, would lead to a change Argentina’s view, that made it change its
migratory policy? Because something triggered an adjustment in policy and created
a whole new theoretical body of knowledge, to be able to operate a new
international and domestic reality. But
this knowledge is not a copy of reality, here comes the factor of perception,
one tends to see what best suits ones interests best, may be relatively
selective according to the subject and this in turn is determined by the
experience, needs and how the actor encodes and decodes the information that it
receives from the world. The perceived world is a subjective world that
can be shared by other actors or not.
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